Showing 129–142 of 142 results
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£25.56 – £41.16Price range: £25.56 through £41.16
This abstract portrait presents a stylised human face constructed from bold geometric shapes and layered tonal fields. The composition is symmetrical yet deliberately fractured, with angular forms shaping the facial structure and curved elements creating depth around the eyes and cheeks. A single red circular accent occupies one eye, immediately drawing focus and introducing visual…
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£34.16 – £43.76Price range: £34.16 through £43.76
Torsion Field is a surface-driven abstract built from pressure, resistance, and controlled force. The work is physically marked and visibly worked—layers are scraped, compressed, and reasserted rather than blended away. Nothing here is softened for ease. The surface carries its own history. Structured blocks form a rigid framework, scored and weathered through repeated intervention. Against…
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£44.16 – £66.56Price range: £44.16 through £66.56
Three faces are held in close proximity, each formed through fractured planes, scraped surfaces, and compressed colour blocks. The figures do not meet evenly; they press against one another through misalignment, overlap, and visual tension rather than contact. Red, ochre, black, and pale flesh tones are cut sharply into the faces, exposing seams, distortions, and…
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£28.76 – £41.16Price range: £28.76 through £41.16
Three faces are held in close proximity, each formed through fractured planes, scraped surfaces, and compressed colour blocks. The figures do not meet evenly; they press against one another through misalignment, overlap, and visual tension rather than contact. Red, ochre, black, and pale flesh tones are cut sharply into the faces, exposing seams, distortions, and…
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£28.76 – £41.16Price range: £28.76 through £41.16
This work is built on a visibly worked surface, marked by scraping, abrasion, and layered revision. Areas of paint are fractured and partially removed, exposing underlying textures and interruptions that remain deliberately unresolved. The surface carries evidence of process throughout, with no attempt to conceal corrections or smooth transitions. Two human figures occupy the composition,…
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£28.76 – £41.16Price range: £28.76 through £41.16
The surface carries clear evidence of force and resistance. Shapes appear cut, dragged, and redirected rather than placed. Edges are sharp in places, softened in others, suggesting decisions made under pressure and then revised without concealment. Scratches, overlaps, and uneven thicknesses remain visible, allowing the process to stay exposed. Geometry here does not settle into…
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£28.76 – £41.16Price range: £28.76 through £41.16
The surface is dense and compressed, built from darkened fields that feel pressed together rather than layered gently. Blacks and deep charcoals dominate, carrying scuffs, abrasions, and dull fractures beneath the skin. These areas absorb light instead of reflecting it, giving the work a weighted, inward pull. Reds emerge in restrained but forceful passages, reading…
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£28.76 – £41.16Price range: £28.76 through £41.16
This figure appears compressed into a fractured structure, its surface built from scraped layers, compacted seams, and scuffed planes that feel accumulated rather than composed. The body is not placed against the grid; it seems drawn out of it, shaped by pressure and resistance rather than movement. Marks overlap and collide, leaving the history of…
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£34.16 – £43.76Price range: £34.16 through £43.76
This work is built around compression and balance. Overlapping circular forms press into one another, their edges softened by abrasion, cracking, and layered paint that shows clear evidence of handling and revision. The surface feels compacted rather than expansive, as if each element has settled into place through gradual pressure rather than force. Muted blues…
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£28.76 – £41.16Price range: £28.76 through £41.16
What Survives the Break is built from fractured skins, lifted plates, and exposed seams. The surface is visibly stressed—cracked layers, chipped edges, and ruptured fields remain unresolved, allowing the history of pressure to stay present. Nothing is disguised or softened. The work reads as accumulated strain rather than composition refined for comfort. Gold lines move…
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£28.76 – £41.16Price range: £28.76 through £41.16
What the Structure Refuses to Release is built from load, containment, and resistance. The surface is divided into rigid zones—triangular, circular, and rectangular forms held in place by linear constraints. These shapes do not float or harmonise; they sit under pressure, bearing weight and showing the consequences of stress through cracking, abrasion, and fracture. Material…
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£31.00 – £44.54Price range: £31.00 through £44.54
This work presents a composed human visage constructed through layered planes and softened transitions, where structure and ornament coexist without conflict. The face is firmly anchored, its features built from overlapping forms that interlock with intention rather than fragmentation. Botanical elements emerge around and through the figure, not as decoration but as framing devices. Their…
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£28.76 – £41.16Price range: £28.76 through £41.16
Where the Air Is Paying Attention operates as a field of reception rather than representation. The surface behaves like an environment under influence—layered, disturbed, and responsive to forces that remain unseen. Broad sweeps of warm and cool tones slide past one another without fully merging, creating a sense of density and movement rather than landscape….
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£28.76 – £41.16Price range: £28.76 through £41.16
This work is built on a heavily worked surface marked by layering, scraping, and visible revision. Paint is applied in blocks and planes, then fractured and disturbed, leaving cracks, ridges, and exposed underlayers intact. The surface retains the evidence of process throughout, with no attempt to soften transitions or conceal corrections — the work wears…