This work is constructed as a dense, tiled field of fractured panels that feel assembled under pressure rather than arranged for order. Red and charcoal blocks are cracked, stressed, and unevenly aligned, forming a rigid grid that carries the weight of masonry rather than pattern. The surface reads as built and weathered, with fissures and…
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This work is built from a rigid underlying structure that never fully holds. A scored grid runs across the surface, its lines etched, dragged, and interrupted by layers of scraped paint and exposed underlayers. The white ground is battered and uneven, carrying the marks of repeated adjustment rather than resolution. A central field of muted…
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A stylised figure is formed from sharply defined planes and layered colour blocks, its surface built through scraping, fracture, and visible correction. Pale, chalked flesh tones are set against dense black arcs and saturated fields of yellow and red, creating a composition that feels both compressed and deliberate. The curves that surround the figure do…
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A stylised figure is formed from sharply defined planes and layered colour blocks, its surface built through scraping, fracture, and visible correction. Pale, chalked flesh tones are set against dense black arcs and saturated fields of yellow and red, creating a composition that feels both compressed and deliberate. The curves that surround the figure do…
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The surface of Held Between Bloom and Break is layered and thinned, with translucent passages stretched across the field rather than built up for density. Petal forms appear scored and pulled into place, their edges uneven and fragile, as if the material has been drawn outward to the point of strain. Washes bleed and stain…
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This work presents a surface that is layered, scraped, and gently unsettled, with visible strokes and broken planes that record the process of making rather than conceal it. Broad fields of softened blue and grey are fractured by warmer bands of ochre, coral, and pale rose, creating a horizon that feels formed through accumulation rather…
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Held Between Layers is an abstract composition defined by the meeting of depth and restraint. Deep blues form a shifting ground, interrupted by passages of muted gold and warm mineral tones that emerge through textured layers. The surface reveals a sense of slow movement, as if forms are suspended between concealment and exposure. Subtle transitions…
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This artwork presents a stylised human figure composed through smooth, interlocking shapes and flowing linear accents. The figure is defined by a balance of soft curvature and decisive contrast, with pale neutrals, warm ochre tones, and deep black forms set against a clean white background. The composition emphasises posture and containment rather than explicit motion….
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This striking artwork presents a dynamic interplay of abstract forms and faces, skillfully blending earthy tones with vibrant blues and oranges. The textured surfaces and bold lines create a sense of depth, inviting contemplation on identity and connection. Each figure seems to engage in a silent dialogue, evoking a range of emotions and interpretations. This…
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Held Gaze is a contemporary abstract portrait focused on restraint, balance, and quiet presence. The face is structured through fine linear divisions and geometric framing, creating a sense of containment rather than disruption. The eyes form a steady focal point, calm and observant, inviting slow engagement. Surrounding grid elements introduce subtle structure, allowing the portrait…
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A contemporary abstract artwork composed of layered geometric forms, intersecting linear marks, and textured transitions. Warm ochre and amber tones dominate the composition, offset by soft greys, muted blues, and deep shadowed elements. The surface features areas of visual luminosity and contrast created through layered texture and tonal variation, giving the work a sense of…
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This work presents a face assembled from worn surfaces, fractured planes, and patched fragments that refuse to fully resolve. Layers appear scraped back and re-applied, with visible seams, abrasions, and uneven joins left deliberately exposed. The surface carries the evidence of revision — areas that look repaired rather than refined, as though stability has been…
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The surface of this work is marked and worked through, carrying visible layers of scraped pigment, scored arcs, and fractured planes. Colour is built up and worn back, leaving evidence of pressure, revision, and restraint. Ochres, oxidised blues, raw creams, and deep umbers sit in uneven fields, their edges imperfect and unsettled. Geometric structure is…
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Held in the Current brings figurative presence into a layered abstract field without breaking structural discipline. Flowing bands of colour and texture move laterally across the surface, carrying a softly rendered face that appears embedded within the motion rather than placed upon it. Warm ochres and reds are counterbalanced by cool blues and deep charcoal…
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This portrait is built from darkness, restraint, and exposed process. The face emerges from a battered, layered ground where scraped greys, bruised browns, and worn metallic tones sit like sediment. The surface is scarred and unsettled — scuffed, cracked, and uneven — with nothing smoothed over or concealed. A fine wire contour draws the form…
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