The surface is pale, exposed, and lightly worked, carrying fine scratches, faint scoring, and thin linear marks that sit close to the top layer. Pigment is restrained rather than built up, leaving areas that feel bare, tested, and unresolved. The whites and cool greys are interrupted by muted blues and small areas of worn gold,…
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Suspended Ground is a layered abstract composition that explores balance through restraint rather than symmetry. A pale central form is held in place by surrounding strata of colour and texture, creating a sense of elevation and pause. The composition feels neither rising nor settling, instead occupying a deliberate state of suspension. Soft neutrals dominate the…
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This work is constructed through clean geometric panels, raised forms, and sharply defined colour fields that lock together with deliberate precision. The surface is not fractured or eroded; it is assembled. Curved segments, triangular inserts, and circular forms are positioned with intent, creating a structured bilateral composition divided by a firm central axis. Deep teal…
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This work presents a human profile reconstructed through accumulation and erosion rather than depiction. The face emerges from layered matter, its contours scraped, built, and partially worn away, leaving the process exposed rather than refined. Recognition is immediate, but familiarity is denied; the form feels recovered rather than composed. The eye is formed from concentric…
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This work is defined by a single, dominant rupture that cuts horizontally across the surface, dividing the composition into two tense, interdependent fields. Above and below this line, the surface behaves differently, as though subjected to unequal pressures that refuse to reconcile. Heavy black forms press inward from both registers, compressing the space and forcing…
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This work is defined by a single, dominant rupture that cuts horizontally across the surface, dividing the composition into two tense, interdependent fields. Above and below this line, the surface behaves differently, as though subjected to unequal pressures that refuse to reconcile. Heavy black forms press inward from both registers, compressing the space and forcing…
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This abstract portrait presents a stylised human face constructed from bold geometric shapes and layered tonal fields. The composition is symmetrical yet deliberately fractured, with angular forms shaping the facial structure and curved elements creating depth around the eyes and cheeks. A single red circular accent occupies one eye, immediately drawing focus and introducing visual…
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This work is built from rigid vertical structures interrupted by a heavy, suspended arc that cuts across the surface under visible strain. Red pillars stand as load-bearing elements, compressed between scraped greys, off-whites, and darker fields that show clear signs of abrasion and revision. The surface feels constructed, stressed, and held in place rather than…
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The surface is constructed from modular blocks and rigid planes arranged in deliberate tension. Rectilinear forms stack, offset, and interlock, forming a system that feels engineered rather than improvised. Each section carries visible joins, hairline fractures, and layered adjustments, recording a process of assembly rather than refinement. A continuous curved element cuts through the structure,…
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Torsion Field is a surface-driven abstract built from pressure, resistance, and controlled force. The work is physically marked and visibly worked—layers are scraped, compressed, and reasserted rather than blended away. Nothing here is softened for ease. The surface carries its own history. Structured blocks form a rigid framework, scored and weathered through repeated intervention. Against…
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Three faces are held in close proximity, each formed through fractured planes, scraped surfaces, and compressed colour blocks. The figures do not meet evenly; they press against one another through misalignment, overlap, and visual tension rather than contact. Red, ochre, black, and pale flesh tones are cut sharply into the faces, exposing seams, distortions, and…
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Three faces are held in close proximity, each formed through fractured planes, scraped surfaces, and compressed colour blocks. The figures do not meet evenly; they press against one another through misalignment, overlap, and visual tension rather than contact. Red, ochre, black, and pale flesh tones are cut sharply into the faces, exposing seams, distortions, and…
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This work is anchored in the physical record of its creation, where the surface is as vital as the subject. The silhouettes of three stylized figures are carved into a field of distressed ochre and slate blue—a surface that feels scored and weathered by time. The tension between the fluid, sharp lines of the forms…
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This work is built on a visibly worked surface, marked by scraping, abrasion, and layered revision. Areas of paint are fractured and partially removed, exposing underlying textures and interruptions that remain deliberately unresolved. The surface carries evidence of process throughout, with no attempt to conceal corrections or smooth transitions. Two human figures occupy the composition,…
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The surface carries clear evidence of force and resistance. Shapes appear cut, dragged, and redirected rather than placed. Edges are sharp in places, softened in others, suggesting decisions made under pressure and then revised without concealment. Scratches, overlaps, and uneven thicknesses remain visible, allowing the process to stay exposed. Geometry here does not settle into…
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