This work is built from weight and interruption. Thick planes of pigment sit forward from the surface, while darker fields and fractured grounds press back, creating a constant negotiation between stability and displacement. The surface carries visible stress: scraped edges, scored lines, and uneven layers that refuse to settle into a single, resolved state. The…
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The surface is fractured and unsettled, built from layered blue fields scored with fine cracks and interruptions that refuse smooth resolution. Pigment is dragged, scraped, and broken back, leaving stress lines visible beneath the colour. The ground does not read as open space; it feels pressurised, unstable, and resistant. A bird form emerges mid-ascent, constructed…
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This work presents a heavily worked surface marked by fractures, embedded lines, and visible abrasion. Layers are scored and cracked, with areas of scraped paint and exposed texture revealing the accumulation of process beneath the image. The surface carries its own history, resisting any attempt at smooth resolution. A human face emerges within a rigid…
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Crossed Velocity explores the tension between directional movement and imposed structure. Diagonal forms cut sharply across a rigid grid, creating a sense of momentum that feels contained rather than chaotic. Bold passages of blue anchor the composition, while bursts of red, yellow, and white introduce moments of acceleration and interruption. The surface bears visible marks,…
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The surface of this work feels built rather than painted. Thick bands of grey are layered in concentric formation, scraped and pressed into place. Edges remain uneven and distressed. Cracks travel across the rings like stress fractures in metal or cured concrete. Nothing is softened; the material presence is direct and unpolished. At the centre,…
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This work presents a fractured portrait built from scraped, layered surfaces and restrained line work. The ground is visibly worked and unsettled, marked by scuffs, smears, and compressed tonal shifts in grey, ash, and muted earth. Nothing is smoothed or concealed; the surface carries the record of pressure and revision. The face emerges through interruption…
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This striking artwork presents a dynamic interplay of abstract forms and faces, skillfully blending earthy tones with vibrant blues and oranges. The textured surfaces and bold lines create a sense of depth, inviting contemplation on identity and connection. Each figure seems to engage in a silent dialogue, evoking a range of emotions and interpretations. This…
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This work presents a face assembled from worn surfaces, fractured planes, and patched fragments that refuse to fully resolve. Layers appear scraped back and re-applied, with visible seams, abrasions, and uneven joins left deliberately exposed. The surface carries the evidence of revision — areas that look repaired rather than refined, as though stability has been…
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This portrait is built from darkness, restraint, and exposed process. The face emerges from a battered, layered ground where scraped greys, bruised browns, and worn metallic tones sit like sediment. The surface is scarred and unsettled — scuffed, cracked, and uneven — with nothing smoothed over or concealed. A fine wire contour draws the form…
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The surface is built from compressed layers of scraped pigment, dragged blacks, and fractured pale fields that press inward toward a central vertical mass. Marks are not blended or softened; they are pulled down, scored, and left to settle under their own weight. The image reads as something constructed under strain rather than composed for…
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The surface is constructed through layered panels and compressed planes, carrying clear evidence of pressure, handling, and revision. Creases, scored lines, and subtle tearing remain visible, giving the work a materially honest presence. Nothing is smoothed or disguised; the surface retains its scars and interruptions as part of its structure. A small circular anchor holds…
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The work is built directly onto a wooden surface, allowing the grain, knots, and natural imperfections of the material to remain exposed and active. These elements are not concealed or corrected; they are integrated into the composition as structural facts. Scraped layers, cut edges, and vertical scoring reveal a process that values pressure and revision…
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Suspended Ground is a layered abstract composition that explores balance through restraint rather than symmetry. A pale central form is held in place by surrounding strata of colour and texture, creating a sense of elevation and pause. The composition feels neither rising nor settling, instead occupying a deliberate state of suspension. Soft neutrals dominate the…
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This work presents a human profile reconstructed through accumulation and erosion rather than depiction. The face emerges from layered matter, its contours scraped, built, and partially worn away, leaving the process exposed rather than refined. Recognition is immediate, but familiarity is denied; the form feels recovered rather than composed. The eye is formed from concentric…
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This work is built on a visibly worked surface, marked by scraping, abrasion, and layered revision. Areas of paint are fractured and partially removed, exposing underlying textures and interruptions that remain deliberately unresolved. The surface carries evidence of process throughout, with no attempt to conceal corrections or smooth transitions. Two human figures occupy the composition,…
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