This work is built from restrained, architectural forms that feel carved and uncovered rather than assembled. A dominant curved sweep arcs across the surface with weight and deliberation, intersecting a vertical spine that anchors the composition in place. The geometry is firm, but never pristine — edges are weathered, surfaces marked, and transitions carry visible…
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The surface is constructed through layered curves and controlled intersections, built from laminated colour fields and restrained linear constraints. Forms are not gestural or improvised; they are routed, reinforced, and held in alignment. The marks suggest movement under control rather than release, with each arc carrying visible intention and resistance. Sweeping blue and gold structures…
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Crossed Velocity explores the tension between directional movement and imposed structure. Diagonal forms cut sharply across a rigid grid, creating a sense of momentum that feels contained rather than chaotic. Bold passages of blue anchor the composition, while bursts of red, yellow, and white introduce moments of acceleration and interruption. The surface bears visible marks,…
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This work presents a surface that is scored, layered, and deliberately unsettled. Broad scraped arcs cut across a fractured field of blocks and bands, leaving behind evidence of pressure, revision, and abrasion. Cream and mineral tones are dragged and broken open, exposing deeper strata of blue, violet, rust, and muted red beneath. The composition holds…
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The surface of this work is marked and worked through, carrying visible layers of scraped pigment, scored arcs, and fractured planes. Colour is built up and worn back, leaving evidence of pressure, revision, and restraint. Ochres, oxidised blues, raw creams, and deep umbers sit in uneven fields, their edges imperfect and unsettled. Geometric structure is…
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A profile emerges from a layered field of scraped colour and scored geometry, its surface built through abrasion, overlap, and correction rather than smooth modelling. Ochre, rust, and muted clay tones are worked into the face like sediment, while cooler blue-green planes and pale grounds hold the surrounding space in check. Fine linear divisions and…
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Silent Concentric is a contemporary abstract composition built from layered geometric panels and interlocking circular forms. Concentric rings sit at the centre of the structure, surrounded by fractured surfaces, tonal blocks, and fine linear elements that create depth and measured movement across the square format. The palette combines charcoal and slate greys with deep blue,…
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The surface is constructed from modular blocks and rigid planes arranged in deliberate tension. Rectilinear forms stack, offset, and interlock, forming a system that feels engineered rather than improvised. Each section carries visible joins, hairline fractures, and layered adjustments, recording a process of assembly rather than refinement. A continuous curved element cuts through the structure,…
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