The surface is built through scored arcs, pressed bands, and layered planes that carry clear evidence of process. Marks are not concealed or softened; edges are cut, dragged, and reworked, leaving a surface that feels worked over rather than finished off. The geometry is fractured and assertive, with lines that act as restraints rather than…
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The surface of this work is marked and worked through, carrying visible layers of scraped pigment, scored arcs, and fractured planes. Colour is built up and worn back, leaving evidence of pressure, revision, and restraint. Ochres, oxidised blues, raw creams, and deep umbers sit in uneven fields, their edges imperfect and unsettled. Geometric structure is…
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This work is defined by its tactile, sculptural presence. The surface is a landscape of intentional disruption—scored by digital “palette knives” and etched with fine, wire-like gold filigree that cuts through the heavy, matte white impasto. There is a palpable weight to the negative space; the background is not an empty void but a pressurized…
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This work is anchored in the physical record of its creation, where the surface is as vital as the subject. The silhouettes of three stylized figures are carved into a field of distressed ochre and slate blue—a surface that feels scored and weathered by time. The tension between the fluid, sharp lines of the forms…
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