A solitary figure moves across a fractured grid, its surface scored with scratches, smears, and erasures that refuse to settle into polish. The body is built from scraped blacks and bruised reds, its edges roughened and unstable, as if repeatedly redrawn and partially worn away. Nothing here is smoothed or corrected; the marks remain exposed,…
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The surface of Counterweight Dialogue is visibly worked and left exposed. Broad circular forms are scored and scraped into place, their edges roughened and uneven, with paint allowed to pool, drag, and break under its own weight. Drips run vertically through the composition, dark and uninterrupted, recording gravity rather than gesture. The surface carries scuffs, fractures,…
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The surface of Divided Bearing is scraped, fractured, and left visibly worked. Large circular forms carry cracked skins and broken edges, with paint split and stressed rather than smoothed into continuity. The red upper disc shows clear rupture: fissures, abrasions, and areas where material has lifted and broken back, exposing the history of pressure beneath….
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This work is built from sharp, fractured forms pressed into an unstable arrangement. Angular planes appear cut, folded, and forced into contact, their edges scraped and uneven, carrying visible signs of abrasion and resistance. The surface is marked by tension rather than flow, with shapes colliding instead of aligning. A dark, segmented form runs through…
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The surface of Faultline Assembly is layered, scraped, and left open to inspection. Each quadrant carries its own density and abrasion: chalked passages, fractured fields, and areas where pigment thins or clouds rather than settles. The texture reads as worked and revised, with no attempt to unify the surface into a single finish. Small flecks,…
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The surface of this work is marked and worked through, carrying visible layers of scraped pigment, scored arcs, and fractured planes. Colour is built up and worn back, leaving evidence of pressure, revision, and restraint. Ochres, oxidised blues, raw creams, and deep umbers sit in uneven fields, their edges imperfect and unsettled. Geometric structure is…
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The surface of Measured Under Weight is built through accumulation and restraint. Vertical forms rise as compressed masses, their skins scored, scraped, and repeatedly reworked. Surfaces show abrasion and revision — fractured planes, dulled metallic passages, and areas where pigment has thinned or clouded rather than settled. Nothing is resolved into polish; the work carries…
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Scorched Against the Silence presents a fractured human profile constructed through abrasion, scoring, and layered disruption. The surface is visibly worked—etched plates, scraped colour fields, scuffed edges, and exposed seams reveal a process that refuses concealment. Circular fragments press into the face like remnants of impact rather than ornament, leaving the structure battered but intact….
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The surface of Shear Crossing is aggressively worked and left unresolved. Broad areas are scraped back, re-layered, and fractured, with paint dragged laterally and allowed to tear across underlying fields. Abrasion is visible throughout: scored edges, broken deposits, and uneven skin where material has been pushed, lifted, and reasserted rather than refined. A sweeping band…
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This work is defined by tall, compressed vertical forms that feel scraped into place rather than cleanly constructed. Dark columns are scored and dragged through pale, weathered fields, leaving visible abrasions, fractures, and uneven edges. Thin linear elements and architectural outlines intersect the surface like exposed framework, partially buried and partially resisting erasure. The composition…
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This work is built from layered washes that appear repeatedly disturbed, fractured, and pulled apart. Soft blue and grey fields are scraped back and reworked, revealing breaks, fissures, and torn passages beneath the surface. Fine cracks and irregular seams run through the composition, giving the impression of a skin that has been stressed, split, and…
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This work is organised around a pronounced rupture that splits the surface into opposing fields. Layered colour bands appear scraped back and rebuilt, revealing fractures, exposed seams, and irregular transitions. The central divide reads as a fault line rather than a graphic device — torn, metallic, and uneven, carrying the weight of pressure and separation….
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