This work is built from layered planes, scraped surfaces, and deliberate interruptions that leave the process exposed rather than refined away. Cool greys and slate tones form a restrained ground, repeatedly fractured by scorched oranges, deep reds, and a vertical field of compressed blue that holds the composition upright. The structure is architectural in nature….
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This work is constructed through layered planes, restrained colour, and deliberate pacing. Broad fields of grey and off-white are worked and scraped, leaving subtle ridges and interruptions that expose the process without becoming disruptive. The surface remains active, but controlled. Structural forms dominate the composition. White sections act as stabilising masses, anchoring the eye and…
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The surface is built through scored arcs, pressed bands, and layered planes that carry clear evidence of process. Marks are not concealed or softened; edges are cut, dragged, and reworked, leaving a surface that feels worked over rather than finished off. The geometry is fractured and assertive, with lines that act as restraints rather than…
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This wide-format work unfolds through layered bands that move laterally across the surface, creating a slow, deliberate sense of flow. The composition is built rather than gestural, with each stratum laid in sequence and left visible, allowing the history of construction to remain present. Tonal shifts between stone, sand, ivory, and muted grey guide the…
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The surface of Faultline Assembly is layered, scraped, and left open to inspection. Each quadrant carries its own density and abrasion: chalked passages, fractured fields, and areas where pigment thins or clouds rather than settles. The texture reads as worked and revised, with no attempt to unify the surface into a single finish. Small flecks,…
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This work presents a surface that is scored, layered, and deliberately unsettled. Broad scraped arcs cut across a fractured field of blocks and bands, leaving behind evidence of pressure, revision, and abrasion. Cream and mineral tones are dragged and broken open, exposing deeper strata of blue, violet, rust, and muted red beneath. The composition holds…
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Measured Intersections is a contemporary abstract composition built on restraint, alignment, and deliberate tension. Muted architectural tones form a layered ground through which precise linear divisions and angled planes intersect, creating a quiet but persistent sense of structural dialogue. The composition is governed by balance rather than symmetry. Diagonal elements cut across orthogonal fields, introducing…
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The surface is constructed with controlled precision, built around a fractured circular form divided into opposing fields. The material reads as compressed and stressed rather than expressive, with fine cracks spreading across the surface like pressure lines held in check. These fractures are cumulative, not explosive — the result of force sustained over time. One…
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This work is built from layered, translucent forms that rise and fold against one another, creating a quiet but insistent sense of shared weight. The surfaces feel measured rather than expressive — smooth in places, muted in others — with tonal shifts that suggest compression, restraint, and endurance rather than motion for its own sake….
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The surface is constructed through layered panels and compressed planes, carrying clear evidence of pressure, handling, and revision. Creases, scored lines, and subtle tearing remain visible, giving the work a materially honest presence. Nothing is smoothed or disguised; the surface retains its scars and interruptions as part of its structure. A small circular anchor holds…
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This ethereal artwork presents a delicate bird in flight, its graceful wings unfurling against a soft, muted backdrop. The interplay of light blues and subtle metallic accents creates a serene atmosphere, evoking a sense of freedom and tranquility. The textured elements add depth, inviting the viewer to explore the nuances of the piece. Perfect for…
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The work is built directly onto a wooden surface, allowing the grain, knots, and natural imperfections of the material to remain exposed and active. These elements are not concealed or corrected; they are integrated into the composition as structural facts. Scraped layers, cut edges, and vertical scoring reveal a process that values pressure and revision…
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The surface is built from softened layers and restrained vertical marks, worked back until the image feels thinned rather than filled. Pale fields dominate the centre, diffused and lifted, while darker tones gather low and at the edges, grounding the composition without enclosing it. The material reads as worn and weathered, not distressed — adjusted…
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