This work is built on a visibly worked surface, marked by scraping, abrasion, and layered revision. Areas of paint are fractured and partially removed, exposing underlying textures and interruptions that remain deliberately unresolved. The surface carries evidence of process throughout, with no attempt to conceal corrections or smooth transitions. Two human figures occupy the composition,…
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This work is built around compression and balance. Overlapping circular forms press into one another, their edges softened by abrasion, cracking, and layered paint that shows clear evidence of handling and revision. The surface feels compacted rather than expansive, as if each element has settled into place through gradual pressure rather than force. Muted blues…
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This work is built from layered washes that appear repeatedly disturbed, fractured, and pulled apart. Soft blue and grey fields are scraped back and reworked, revealing breaks, fissures, and torn passages beneath the surface. Fine cracks and irregular seams run through the composition, giving the impression of a skin that has been stressed, split, and…
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This work is built on a heavily worked surface marked by layering, scraping, and visible revision. Paint is applied in blocks and planes, then fractured and disturbed, leaving cracks, ridges, and exposed underlayers intact. The surface retains the evidence of process throughout, with no attempt to soften transitions or conceal corrections — the work wears…
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