This work is built from restrained, architectural forms that feel carved and uncovered rather than assembled. A dominant curved sweep arcs across the surface with weight and deliberation, intersecting a vertical spine that anchors the composition in place. The geometry is firm, but never pristine — edges are weathered, surfaces marked, and transitions carry visible…
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This work places vivid red floral forms against a fractured, weathered field that refuses to act as a passive backdrop. The blooms are bold and assertive, built from thick, uneven passages of colour that show visible drag, breaks, and compressed edges. Their surfaces feel worked rather than painted, carrying weight and pressure rather than softness….
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This work is constructed from compressed blocks of colour that feel placed, stressed, and partially undone. Rectangular fields of pink, blue, ochre, navy, and white are layered thickly, then fractured by scrapes, breaks, and vertical drips that cut through the structure. The surface carries the weight of assembly rather than arrangement. The composition suggests a…
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This work is defined by thick, spiralling forms pressed into the surface with visible resistance. Layered ridges coil inward and outward, leaving pronounced edges, compressed bands, and uneven transitions that record force rather than fluidity. The surface reads as carved and worked, with each turn carrying weight and friction. Sweeping bands of colour intersect and…
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This work is constructed as a dense, tiled field of fractured panels that feel assembled under pressure rather than arranged for order. Red and charcoal blocks are cracked, stressed, and unevenly aligned, forming a rigid grid that carries the weight of masonry rather than pattern. The surface reads as built and weathered, with fissures and…
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This work is built from rigid vertical structures interrupted by a heavy, suspended arc that cuts across the surface under visible strain. Red pillars stand as load-bearing elements, compressed between scraped greys, off-whites, and darker fields that show clear signs of abrasion and revision. The surface feels constructed, stressed, and held in place rather than…
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This work is built from layered washes that appear repeatedly disturbed, fractured, and pulled apart. Soft blue and grey fields are scraped back and reworked, revealing breaks, fissures, and torn passages beneath the surface. Fine cracks and irregular seams run through the composition, giving the impression of a skin that has been stressed, split, and…
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This work is organised around a pronounced rupture that splits the surface into opposing fields. Layered colour bands appear scraped back and rebuilt, revealing fractures, exposed seams, and irregular transitions. The central divide reads as a fault line rather than a graphic device — torn, metallic, and uneven, carrying the weight of pressure and separation….
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