The surface of this work is marked and worked through, carrying visible layers of scraped pigment, scored arcs, and fractured planes. Colour is built up and worn back, leaving evidence of pressure, revision, and restraint. Ochres, oxidised blues, raw creams, and deep umbers sit in uneven fields, their edges imperfect and unsettled. Geometric structure is…
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The surface is heavily worked and visibly altered, carrying scraped passages, dragged pigment, and scored lines that cut back through earlier layers. Paint has been applied, removed, and reasserted, leaving a surface marked by interruption rather than refinement. Drips, breaks, and flaking traces of gold remain as residue, suggesting prior states rather than finish. A…
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The surface is dense and compressed, built from darkened fields that feel pressed together rather than layered gently. Blacks and deep charcoals dominate, carrying scuffs, abrasions, and dull fractures beneath the skin. These areas absorb light instead of reflecting it, giving the work a weighted, inward pull. Reds emerge in restrained but forceful passages, reading…
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