Artist Statement This work explores the quiet tension between structure and openness. Layered geometric planes intersect without collision, creating a sense of suspended balance. The piece reflects an interest in constructed spaces that feel inhabited without being occupied. Composition & Balance The composition is built from interlocking forms arranged vertically and horizontally. Overlapping planes establish…
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This work explores controlled tension through contrast and restraint. A single red circular form is held in balance against layered, translucent geometric planes, creating a quiet confrontation between focus and diffusion, weight and suspension. Artist Statement This piece emerged from a period of intentional reduction — a move away from dominant gestures toward something more…
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This ethereal artwork presents a delicate bird in flight, its graceful wings unfurling against a soft, muted backdrop. The interplay of light blues and subtle metallic accents creates a serene atmosphere, evoking a sense of freedom and tranquility. The textured elements add depth, inviting the viewer to explore the nuances of the piece. Perfect for…
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The work is built directly onto a wooden surface, allowing the grain, knots, and natural imperfections of the material to remain exposed and active. These elements are not concealed or corrected; they are integrated into the composition as structural facts. Scraped layers, cut edges, and vertical scoring reveal a process that values pressure and revision…
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This abstract portrait presents a stylised human face constructed from bold geometric shapes and layered tonal fields. The composition is symmetrical yet deliberately fractured, with angular forms shaping the facial structure and curved elements creating depth around the eyes and cheeks. A single red circular accent occupies one eye, immediately drawing focus and introducing visual…
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Three faces are held in close proximity, each formed through fractured planes, scraped surfaces, and compressed colour blocks. The figures do not meet evenly; they press against one another through misalignment, overlap, and visual tension rather than contact. Red, ochre, black, and pale flesh tones are cut sharply into the faces, exposing seams, distortions, and…
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Three faces are held in close proximity, each formed through fractured planes, scraped surfaces, and compressed colour blocks. The figures do not meet evenly; they press against one another through misalignment, overlap, and visual tension rather than contact. Red, ochre, black, and pale flesh tones are cut sharply into the faces, exposing seams, distortions, and…
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This work is built around compression and balance. Overlapping circular forms press into one another, their edges softened by abrasion, cracking, and layered paint that shows clear evidence of handling and revision. The surface feels compacted rather than expansive, as if each element has settled into place through gradual pressure rather than force. Muted blues…
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