This work is built from restrained, architectural forms that feel carved and uncovered rather than assembled. A dominant curved sweep arcs across the surface with weight and deliberation, intersecting a vertical spine that anchors the composition in place. The geometry is firm, but never pristine — edges are weathered, surfaces marked, and transitions carry visible…
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This work places vivid red floral forms against a fractured, weathered field that refuses to act as a passive backdrop. The blooms are bold and assertive, built from thick, uneven passages of colour that show visible drag, breaks, and compressed edges. Their surfaces feel worked rather than painted, carrying weight and pressure rather than softness….
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This work is constructed from compressed blocks of colour that feel placed, stressed, and partially undone. Rectangular fields of pink, blue, ochre, navy, and white are layered thickly, then fractured by scrapes, breaks, and vertical drips that cut through the structure. The surface carries the weight of assembly rather than arrangement. The composition suggests a…
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Crossed Velocity explores the tension between directional movement and imposed structure. Diagonal forms cut sharply across a rigid grid, creating a sense of momentum that feels contained rather than chaotic. Bold passages of blue anchor the composition, while bursts of red, yellow, and white introduce moments of acceleration and interruption. The surface bears visible marks,…
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This abstract composition centres on a stylised figure emerging from a dense arrangement of angular forms, intersecting lines, and layered colour fields. The figure is suggested rather than described, constructed through geometry, contrast, and directional movement rather than anatomical detail. Surrounding shapes appear to push, frame, and resist the figure’s motion, creating a sense of…
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This work is defined by thick, spiralling forms pressed into the surface with visible resistance. Layered ridges coil inward and outward, leaving pronounced edges, compressed bands, and uneven transitions that record force rather than fluidity. The surface reads as carved and worked, with each turn carrying weight and friction. Sweeping bands of colour intersect and…
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This work is constructed as a dense, tiled field of fractured panels that feel assembled under pressure rather than arranged for order. Red and charcoal blocks are cracked, stressed, and unevenly aligned, forming a rigid grid that carries the weight of masonry rather than pattern. The surface reads as built and weathered, with fissures and…
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This work is organised around containment that no longer holds cleanly. A broad circular perimeter encloses the composition, its surface cracked, scuffed, and uneven, carrying signs of fatigue rather than authority. The ring suggests order, but its compromised edge allows movement to slip through, undermining any sense of closure or stability. Within this boundary, circular…
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A scored and weathered surface carries this work. Layers appear scraped back and rebuilt, fractured and reassembled. Pale chalk tones collide with slate greys, muted ochres, and flinty blues. Veins of pigment travel diagonally across the composition like geological fault lines, cutting through space with quiet force. The background is not passive; it feels eroded,…
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This work is built from a sequence of layered rectangular forms arranged in a quiet but deliberate grid. Each block carries its own surface character—smooth, cracked, metallic, or weathered—while remaining part of a larger structural order. Thin black lines traverse the composition, acting as measuring marks that both connect and divide the elements, creating a…
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Orientation Without a Body is structured around alignment, containment, and refusal. The surface is divided by rigid linear grids that impose order without offering resolution. Within these constraints, curved planes, circular nodes, and fractured fields press and drift, never fully settling into form. The composition suggests direction without identity. Arcs and discs imply turning, facing,…
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This work is built from fractured surfaces and exposed layers, where scraped whites, weathered blues, and muted ochres carry the marks of repeated revision. Cracked textures, scuffed planes, and uneven fields reveal a process that has been left deliberately visible rather than resolved or polished. The surface reads as worn and worked, bearing the residue…
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This work is driven by compression and impact rather than alignment. Thick, fractured blocks of colour are pushed into place, their surfaces cracked, scraped, and torn, carrying the marks of force rather than refinement. Reds and oranges dominate through mass and density, not brightness, their skins stressed and uneven, as though colour itself has been…
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She Refuses to Be Softened presents a figure defined by resolve rather than gesture. The form is constructed through bold, uninterrupted planes—clean whites, deep blacks, and saturated red held in deliberate tension. Nothing fades or blends for comfort. Each colour holds its ground. The face reads as composed and sealed, almost mask-like, denying emotional access…
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Suspended Ground is a layered abstract composition that explores balance through restraint rather than symmetry. A pale central form is held in place by surrounding strata of colour and texture, creating a sense of elevation and pause. The composition feels neither rising nor settling, instead occupying a deliberate state of suspension. Soft neutrals dominate the…
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