This work explores controlled tension through contrast and restraint. A single red circular form is held in balance against layered, translucent geometric planes, creating a quiet confrontation between focus and diffusion, weight and suspension. Artist Statement This piece emerged from a period of intentional reduction — a move away from dominant gestures toward something more…
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The work embodies a commitment to exploring the nuances of color and texture, revealing a dialogue between contrasting elements. Through a contemporary lens, Terry James engages with abstraction, utilizing bold hues and layered compositions to evoke emotional responses. The interplay of vibrant reds against deep blues and grays not only captivates the eye but also…
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This work is defined by tall, compressed vertical forms that feel scraped into place rather than cleanly constructed. Dark columns are scored and dragged through pale, weathered fields, leaving visible abrasions, fractures, and uneven edges. Thin linear elements and architectural outlines intersect the surface like exposed framework, partially buried and partially resisting erasure. The composition…
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Still Forms, Moving Ground is an abstract composition built around balance, restraint, and subtle movement. Layered circular forms rest within soft, flowing bands, creating a dialogue between structure and fluidity. The geometry provides weight and stability, while the gentle shifts in tone and texture introduce a sense of quiet motion across the surface. The palette…
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Strain in the Lattice presents an architectural abstract composition built from intersecting arcs, planar forms, and linear pathways. The work balances structural weight with controlled movement, creating a sense of tension held in equilibrium rather than release. A dominant red–orange field establishes heat and momentum, offset by deep blue and neutral grey forms that act…
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The work is built directly onto a wooden surface, allowing the grain, knots, and natural imperfections of the material to remain exposed and active. These elements are not concealed or corrected; they are integrated into the composition as structural facts. Scraped layers, cut edges, and vertical scoring reveal a process that values pressure and revision…
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This work is built from rigid vertical structures interrupted by a heavy, suspended arc that cuts across the surface under visible strain. Red pillars stand as load-bearing elements, compressed between scraped greys, off-whites, and darker fields that show clear signs of abrasion and revision. The surface feels constructed, stressed, and held in place rather than…
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