The surface is heavily worked and visibly altered, carrying scraped passages, dragged pigment, and scored lines that cut back through earlier layers. Paint has been applied, removed, and reasserted, leaving a surface marked by interruption rather than refinement. Drips, breaks, and flaking traces of gold remain as residue, suggesting prior states rather than finish. A…
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The work is built directly onto a wooden surface, allowing the grain, knots, and natural imperfections of the material to remain exposed and active. These elements are not concealed or corrected; they are integrated into the composition as structural facts. Scraped layers, cut edges, and vertical scoring reveal a process that values pressure and revision…
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This work is defined by a single, dominant rupture that cuts horizontally across the surface, dividing the composition into two tense, interdependent fields. Above and below this line, the surface behaves differently, as though subjected to unequal pressures that refuse to reconcile. Heavy black forms press inward from both registers, compressing the space and forcing…
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This work is defined by a single, dominant rupture that cuts horizontally across the surface, dividing the composition into two tense, interdependent fields. Above and below this line, the surface behaves differently, as though subjected to unequal pressures that refuse to reconcile. Heavy black forms press inward from both registers, compressing the space and forcing…
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The surface is constructed from modular blocks and rigid planes arranged in deliberate tension. Rectilinear forms stack, offset, and interlock, forming a system that feels engineered rather than improvised. Each section carries visible joins, hairline fractures, and layered adjustments, recording a process of assembly rather than refinement. A continuous curved element cuts through the structure,…
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Torsion Field is a surface-driven abstract built from pressure, resistance, and controlled force. The work is physically marked and visibly worked—layers are scraped, compressed, and reasserted rather than blended away. Nothing here is softened for ease. The surface carries its own history. Structured blocks form a rigid framework, scored and weathered through repeated intervention. Against…
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The surface carries clear evidence of force and resistance. Shapes appear cut, dragged, and redirected rather than placed. Edges are sharp in places, softened in others, suggesting decisions made under pressure and then revised without concealment. Scratches, overlaps, and uneven thicknesses remain visible, allowing the process to stay exposed. Geometry here does not settle into…
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The surface is dense and compressed, built from darkened fields that feel pressed together rather than layered gently. Blacks and deep charcoals dominate, carrying scuffs, abrasions, and dull fractures beneath the skin. These areas absorb light instead of reflecting it, giving the work a weighted, inward pull. Reds emerge in restrained but forceful passages, reading…
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The surface is built from softened layers and restrained vertical marks, worked back until the image feels thinned rather than filled. Pale fields dominate the centre, diffused and lifted, while darker tones gather low and at the edges, grounding the composition without enclosing it. The material reads as worn and weathered, not distressed — adjusted…
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